Wuthering Heights (2026)

This was a lively discussion with opposing views. Much time was spent on the differences between the 1847 novel and the 2026 film, directed by Emerald Fennell. There were strong opinions on both sides. For example, Martin Clunes’ excellent performance raised concerns about his character being a composite of two in the book and whether this really worked.

For one new member of the group, the film was “over-indulgent” and more about the director than the Charlotte Brontë text.  

There was a view that the over-the-top sumptuousness of Cathy’s wealthy yet claustrophobic life in Thrushcross Grange, reflected by its creepy dolls’ house, made a statement itself about the times we live in. It recalled another film we’d shown in the past – Wolf of Wall Street, which celebrated excess.  Everything in this Wuthering Heights version was “amped up” – the décor, fashion, food, colours, music. Even including superstar Margot Robbie in the role.

There was a range of thoughts about how moving the film was – some found it touching, others found the music a barrier and over-sentimental.  The opening hanging sequence was very powerful, with its thrilled and over-excited audience. It made us reflect on what counts for entertainment nowadays and what is in “the human DNA”. One member of the group felt the beginning scene could work at the end.

We also talked about Cathy and Heathcliff’s relationship and whether the director was condemning or accepting the coercive control depicted. We spent some time thinking about whether their intense relationship was based on love, lust, or obsession. It clearly connected with their damaged childhood days, as acted so well by “wonderful” young actors Owen Cooper and Charlotte Mellington. It was a “passion that over-rides our senses.”

We found it very interesting that the Wuthering Heights fundraising dance, as shown in the shorts, was raising money for Women’s Aid and against female abuse.

One member of the group said they found the film more interesting second time around.  Most of the group probably wouldn’t try that out, but this colourful and provocative film created a big reaction.  

It also has led to a great spike in people reading the original novel - Penguin Classics UK reported a 469% year-on-year increase in UK sales for January 2026, when the film was released.

Anne